| 
TRANSMISSION
0039 : 12.19.06
SUGAR PLUM FAIRIES ARTICLE IN WICHITA CITY PAPER
Sugar Plum Fairies land at the Firehouse
By Spike Hemans
Dec 7, 2006
Quite festive decorations adorned the walls and window sills of the Firehouse
Gallery, 1402 W. Douglas, on Saturday, Dec. 2, as local artists Dustin
Parker and Wade Hampton hosted their one-night-only reception for their
show “Sugar Plum Fairies.”
Hampton and Parker have quite a chemistry together, their work fits together
well in the cozy Firehouse Gallery.
The cheap holiday decorations at the Firehouse stood out like sore thumbs
against the works of the two artists, and I was intrigued as to why they
chose to decorate with, well, so much festive crap, since these and the
aesthetic of the works contrast sharply.
“Since it was December, we wanted to a show that was ‘Christmas
and its marketing,’ Hampton said. “We just wanted to have
fun with the show.”
In addition to the tacky décor, the artists use colored lighting
to differentiate the works, Parker using a cool blue and Hampton a somewhat
harsher red, which reflects the color choices in the works.
And fun seems to be a prevailing element of parts of the show, such as
the two videos the artist compiled and have playing on a loop at opposite
ends of the gallery.
“We went out to take the photos for the show and I brought a friend
to shoot the video, and it grew from there…. In the end we’ll
probably have more people comment the videos than the actual artwork,”
Hampton jokes.
The videos feature the two, dressed in dingy suits and fairy wings, prancing
around in the Kansas countryside, spreading pixie dust and doing the usual
fairy things.
“We wanted each of the Fairies to have different personalities,
to reflect the differences in the works,” Parker said.
“Well, we get along so damn well, it’s been really fun working
together on this show,” Hampton said. The two artists also work
together professionally, at Resort Promo Wear, a screen printing and embroidery
company, doing graphic design.
“It was the logical step to show together,” Hampton continued.
“I haven’t shown in like a year. I originally was planning
on a solo show, but I decided I didn’t want to do one, so I asked
Dustin to do one up here with me.”
Hampton has been showing on the Wichita scene for quite awhile, “starting
with the Famous Dead Artists, 1993 I think,” he said. Parker himself
is no novice either, he has been actively showing his work for about eight
or nine years, but, like Hampton, his memory is a bit fuzzy on the exact
time frame.
The two works ultimately fit well together, both seem centralized on the
human figure and their consistent execution make the show flow well. Parker’s
work seems to start on a strong central figure in the composition and
overlays with loose, dripping paint that still seems wet and alive on
the canvas. His work is powerful and striking, but one would like to see
more variance in the layouts of his work, they run the risk of becoming
monotonous.
Hampton’s works contains a startling number of different element,
but seems to be based on a strict pattern, with a large centralized figure
turned at a sort of three fourths angle, then he overlays a variety of
elements, from distorted old black and white photographs resembling school
or formal photos, to painted animal characters. Also featured were crayon
drawing done in the style that resembles a small child’s renderings
in elementary school art class. His works are heavy on text, most feature
the title painted on them with either stenciled or hand written blocky
text.
The show seemed to be a smashing success, the works almost jumping of
the walls, but in the end it came off as a bit narcissistic, almost jokingly
a celebration of the artists themselves rather than letting their work
stand for itself. One case in point is the two self portraits frames in
glittering plastic tinsel that assault someone as they first walk up the
stairs to the gallery. But most likely this is just another device in
their light hearted show that most definitely captures their eccentric
personalities quite well, even though appearing a bit disjointed in its
overall theme. Stay on the lookout for these two artists to be showing
in the near future, for their work is not always to be taken lightly.
WWW.WICHITACITYPAPER.COM
TRANSMISSION
0038 : 11.21.06
PARKER FEATURED IN INICIATIVA COLECTIVA
Dustin Parker is featured in the premier issue of Iniciativa Colectiva,
an ezine featuring paintings, illustrations and photographs by emerging
artists, published by Chixink Media Services.
Click
here to read the zine or visit www.iniciativacolectiva.com

TRANSMISSION
0037 : 11.14.06
THE ATTACK OF THE SUGAR PLUM FAIRIES
Dustin Parker has teamed up with Wade "Fairy X" Hampton for
an exhibition of new paintings at
the Firehouse Gallery. The exhibition is titled "The Sugar Plum Fairies"
and has spawned a
myspace page, a collection of original songs, a music video and much more.
Firehouse
Gallery, 1402 W. Douglas
Exhibition: "The Sugar Plum Fairies"
Featured Artists: Wade Hampton + Dustin Parker
Reception Date:Saturday, December 02. 7:00 - 11:00 (ONE NIGHT ONLY!)
FOR MORE INFO VISIT
www.sugarplumfairies.org
www.myspace.com/sugarplumfairiesart
www.dustinparker.com
www.wadehamptonart.com
CHECK OUT THE SUGAR PLUM FAIRIES MUSIC VIDEO AT
www.sugarplumfairies.org/video.html
VISIT US ON MYSPACE (photos / art / music + video)
www.myspace.com/sugarplumfairiesart

TRANSMISSION 0036 : 10.24.06
PARKER IS READY TO SCARE YOU
Dustin Parker will be one of the featured artists in the CathARTic
2: What Still Scares You exhibition at Louise
C. Murdock Theatre. Details are listed below.
20th Century Center/Louise C. Murdock Theatre
Exhibition: "CathARTic 2: What Still Scares You?" plus films
"The Fearless Vampire Killers", Mark Walker's "Alien Pop
Top" and "Twilight Zone" Episodes
Featured Artists: Kevin Brown, Sherry Carpenter, Mark Clarkson, Toby
Dai, Jeremy Doughty, Jodi Anne Drinkwater, Shawn Freeman, Ann Krone, Jaki
McElroy, M. Mrakota Orsman, Sarah Oldham, Dan Oropesa, Dustin Parker,
Patty Ringgenberg, Melissa Slates, Tracey Sofian, Mark Walker and Martha
Wherry
Exhibition Date: October 27th, 2006 (One Night Only)
Reception Date: Final Friday, October 27th, 2006, 6:00 p.m. –
11:00 p.m.
Contact: Matt Orsman, cell (316) 680-1296 email matt@mirthquake.net
Web: http://www.mirthquake.net/cathartic
TRANSMISSION 0035 : 10.14.06
SAID AND DONE HITS THE ROAD
Dustin Parker will be one of the featured artists in the SAID
AND DONE exhibition at the Antisocial Gallery in Vancouver, Canada.
The exhibition will be on view November 3rd through November 29th, 2006.
An opening reception will be held on November 3rd. The exhibit features
works by James Jean, Ben Tour, Aaron Horkey, Michael Sieben, Don Pendleton,
Jeremy Fish, Andrew Pommier, Robert Hardgrave, Travis Millard + 140 more
brilliant artists. Color
Magazine will we there as well with the release of issue 4.3. The
exhibition is sponsored by Lifetime Collective.Antisocial
Gallery, 2425 Main Street (enter in alley), Vancouver, Canada.
Exhibition: SAID AND DONE: collaborative project number two (curated by
John Antoski and Dustin Koop)
Reception Date: Friday, November 3rd, 8:00 p.m. - ?
Visit
SAID AND DONE - www.saidanddone.ca
Antisocial Gallery - www.antisocialshop.com
Color Magazine - www.colormagazine.ca

TRANSMISSION 0034 : 10.07.06
PARKER
FEATURED IN CARPAL TUNNEL MAGAZINE ISSUE #8
Dustin
Parker is featured in the current issue of Carpal Tunnel Magazine, An
Online Magazine dedicated to Design, Art, Music, Fashion, and DIY Interviews
with Amazing Artists, from all over the world. Visit www.carpaltunnelmag.com
to read the interview. CARPAL
TUNNEL MAGAZINE - ISSUE 8 IS HERE!!! More articles than EVER!
In the Art section We have Tommy Kane, Dustin Parker, Chad Mount, Franx,
Meatwig, in Design: Jesse Hora, Maycec, Ravi Vasavan, Main Street Graphics,
Music: Shakti, and Slings & Arrows, Fashion and DIY go hand in hand
with beautiful fashions from: Laurel Wells, Artistic Aya, Zaumlab, Chixinc,
Donda Designs, Cheena Chandra Jewelry, and a write up on the Cardiff Expo.
WOW LOTS TO READ and VIEW!
check it out!
www.carpaltunnelmag.com
www.myspace.com/carpaltunnelmag

TRANSMISSION 0033 : 09.27.06
SATURATION POINT

Dustin
Parker is one of the Featured Artists in "SATURATION POINT"
a postmodern photography show curated by Katie Sykes and Hosted by the
Tangent Lab. This show marks Parker's debut as an exhibiting photographer.
The show also features works by Katie Sykes, Ian Stewart, Jonathan Wood,
Kelly Hauber, Nicole Mariani and many others. A public reception will
be held on Final Friday, September 29, from 7:00 - 11:00 p.m.
Tangent Lab, 143 N. Rock island, 3rd Floor (Rule Productions), Farm and
Art Market Square, Rock
Island Market Building
Exhibition: Saturation Point: A postmodern Photography exhibit Curated
by Katie Sykes
Featured Artists: Katie Sykes, Dustin Parker, Jonathan Wood, Ian Stewart,
Nicole Mariani, Kelly Hauber, Mark Walker and others.
Reception Date: Final Friday, September 29, 7:00 - 10:00 p.m.
Regular hours: Weekdays by appointment only - email Brad
Visit: www.tangentlab.com for more information.
A Statement From Dustin Parker
"I don't consider myself a photographer. I'm a painter that happened
to pick up a camera. All of the images were inspired by my girlfriend,
and curator of the exhibition, Katie Sykes. She pushed me to drop the
paintbrush and pick up the camera. The photos are intended to be a tribute
to her and how she has changed my perception of the world around me. Her
work has made me more aware of my own environment. We all neglect to see
all of the beautiful things that surround us in our daily lives, we drive
past them everyday but we fail to see them. Katie's work forces you to
stop and pay attention. She has definitely changed the way I see things.
So.... my amateur attempt at being a photographer is a reaction to her
work. I wanted to get inside her head and try to see the world with her
perspective. This is the first time I've exhibited photographs so it will
be interesting to see how people react to the work and if photography
becomes something I pursue on a regular basis."




TRANSMISSION 0032 : 09.16.06
MEMORY STAIN IS ALL THE FASHION
Be sure to purchase your one of a kind screenprinted MEMORY STAIN T-shirt
tonight at the Firehouse Gallery. All of the t-shirts were hand printed
by Dustin Parker. Each t-shirt is a unique one of a kind piece of art.
T-shirts will be available for $5. Below is an example of one of the shirts.
STATEMENT FROM DUSTIN PARKER
I wanted to design a t-shirt that reflected my working methodology as
a painter. I wanted to transform the t-shirt from a commercial product
into a unique one of a kind piece of wearable art. I wanted to approach
the printing process the same way I would approach producing a painting.
This means I had to break all of the rules that most professional screenprinters
would follow. I had to allow accidents and mistakes to happen. I had to
forget that I was printing a t-shirt and just focus on making an interesting
piece of art.

TRANSMISSION 0031 : 09.12.06
MEMORY PREVIEW
--DATA LOST--

TRANSMISSION 0030 : 08.24.06
WHAT MEMORIES ARE MADE OF
Dustin Parker and Katie Sykes have collaborated on a series of new digital
prints for the upcoming "MEMORY STAIN" exhibit at the Firehouse
Gallery.
Below is a preview of some of the works that will be featured in the exhibit.
Additional images are currently on view at Dustin Parker's Art BLOG at
www.dustinparkerarts.blogspot.com.

TRANSMISSION 0030 : 07.27.06
OH, SNAP
Dustin Parker will be one of the featured artists in the second annual
SNAP TO GRID exhibition at The Los Angeles Center For Digital Art. The
exhibition will be on view September 8 - October 1, 2006. A public reception
will be held on Thursday, September 8, 7:00 - 9:00 p.m. Los
Angeles Center For Digital Art is located in the Gallery Row area of downtown
Los Angeles, 107 West Fifth Street between Main and Spring.
Visit > www.lacda.com
Every year for 50 years the L.A. Municipal Gallery has held its "Open
Call" exhibit where any artist can show up with their art and an
entry fee (to benefit gallery programs) and the piece is shown. The Los
Angeles Center For Digital Art decided to launch an international experiment
of the same nature where the artists upload images that are printed and
hung by the gallery. The hundreds of works are displayed in a grid like
installation (reminiscent of postcard art shows of the 1980's) where every
work submitted is exhibited. The usual (less than democratic) selection
process where only the precious few are chosen is turned on its head in
a curatorial anarchy where everyone gets to participate and the viewer
is literally left to be the judge. The show represents a snapshot of a
current moment in art history when digital imaging has reached the hands
of the many, an age where culture belongs to the "mobblogers"
around the globe. From Thailand to Texas, amateur to academic, beautiful
to banal and beyond the monumental quantity and variety of "Snap
to Grid" becomes an aesthetic experience where each individual piece
adds to an agglomerative
effect that has a life of its own.
TRANSMISSION 0029 : 07.26.06
IT IS DONE
Below is Dustin Parker's Completed submission to the SAID AND DONE project.
TRANSMISSION 0028 : 07.19.06
ATTACK OF THE BLOG
Dustin Parker has created a blog to document works in progress. Be sure
to visit http://dustinparkerarts.blogspot.com
"The blog format allows me to document the progress that I am making
on a daily basis. I want to show the viewer how my paintings develop and
how they evolve over time. A traditional portfolio site is designed to
showcase a creative product. You are only showing the end result, but
I think the road that you travel to reach that final destination is much
more interesting. I want this blog to place an emphasis on process. I
want to push the idea of art being a process rather than a product."
- Dustin Parker
TRANSMISSION 0027 : 07.19.06
SAID AND DONE
Dustin Parker has been selected to participate in a collaborate art project
called Said and Done. The Said and Done project was created as a means
of uniting the artist community of A.C.A.D (Alberta College of Art and
Design), with other artists in communities from around North America.
Each selected artist receives a serigraph print (7" X 11") and
is encouraged to embellish / alter the print in any fashion they choose.
The artist must sign and date the back, and the format must remain the
same size. Upon completion of the print is returned to sender, and the
piece is considered a finished work of art.
You can view examples of some of the finished submissions at
www.saidanddone.ca or visit Dustin Parker's new blog at www.dustinparkerarts.blogspot.com
to preview a step-by-step breakdown of the creation of Dustin Parker's
submission to Said and Done. The submission is still a work in progress.
The finished piece will be posted in the very near future.
TRANSMISSION 0026 : 07.19.06
GOING GUERRILLA
Dustin Parker has been accepted in a juried exhibition hosted by Altered
Esthetics in Minneapolis, MN. The exhibition titled "Guerrilla Art"
will be on view from August 26 - September 29, 2006. An opening reception
will be held on August 26, 6:00 - 10:00 p.m and a closing reception will
be held on September 29, 6:00 - 9:00 p.m.
For more info please visit www.alteredesthetics.com
TRANSMISSION
0025 : 07.19.06
MEMORY STAIN: NEW WORKS BY DUSTIN PARKER AND KATIE SYKES
Dustin Parker and Katie Sykes will showcase new and recent works in "Memory
Stain," an art exhibition at the Firehouse Gallery on September 16th
2006. A public reception will be held on September 16, 7:00 - 11:00 p.m.

TRANSMISSION 0024 : 07.10.06
PARKER SELECTED AS EDITOR'S CHOICE AT ILLUSTRATIONMUNDO.COM
Dustin Parker has been selected as the Editor's Choice at www.Illustrationmundo.com,
an online directory of illustrators. Be sure to Check it out!
www.Illustrationmundo.com or visit Dustin Parker's profile by clicking
HERE
TRANSMISSION 0023 : 06.17.06
PARKER FEATURED IN LOOK LOOK
Dustin Parker is one of the contributing artists in the current issue
of Look Look Magazine.
Additional info: Look-Look Magazine is a bi-annual magazine for young
people by young people. It features their photographs, their writings,
their drawings, and any other art that can fit between the pages of a
magazine. 100% of the editorial content is the work of young people. It
is all theirs, completely uncensored. The first magazine of its kind,
one made up wholly of submissions from the inside of the outsider's minds.
Visit: www.look-lookmagazine.com
or www.look-look.com
for additional info.

TRANSMISSION 0022 : 04.26.06
PARKER ON THE RADIO
Dustin Parker will be featured on KMUW 89.1FM this WEDNESDAY, April 26
(TODAY!) at 4:00 P.M. Parker will be talking about the artwork he created
for the KMUW FM89 Wichita Public Radio Spring 2006 Pledge Drive. An exhibition
of recent works will be on display at the KMUW office (3317 E. 17th St.
N.). Be sure to show your support for public radio by making a pledge.
For more information or to make a pledge visit www.kmuw.org
TRANSMISSION 0022 : 03.30.06
KMUW PLEDGE DRIVE - SPRING 2006
Dustin Parker is the featured artist for the KMUW FM89 Wichita Public
Radio Spring 2006 Pledge Drive.
"Many of our listeners are familiar with Dustin Parker’s distinctive
paintings (primarily celebrities, would-be celebrities and self portraits),
as well as his digital works, all of which that have been exhibited throughout
the area. But even if you don’t get out to the gallery scene, you
very probably still know the KMUW FM89 Wichita Public Radio Spring 2006
Pledge Drive artist.
Dustin Parker will be familiar to anyone on or of the art scene in Wichita
from his incredible service as the town crier for the arts with his daily
e-mails on news and events of a cultural nature. In 2003 Parker was awarded
the Wichita Sedgwick County Arts and Humanities Council Art Awards Individual
Artist Award for his listserv and other work in the local art community.
If you know what’s happening in town, it’s probably because
you heard it from Dustin.
So, it seemed only right that when we were looking for the artist to design
our Spring 2006 Pledge Drive artist mug and shirt - the 5th in our Artist
Series - it should be Dustin. What KMUW aspires to do - promote arts and
culture in Wichita and South Central Kansas – Dustin does every
day through his listserv.
“The Sight of Sound” represents the emotionally engaging,
intellectually challenging, richly intricate and finely tuned “pictures”
that Wichita Public Radio broadcasts throughout Wichita and South Central
Kansas 24 hour a day, 7 days a week; “pictures” that connect
you to your world."
-KMUW FM89

ARTIST STATEMENT
After I graduated from college I began working as a graphic designer for
a local screen-print shop. My experience as a graphic designer began to
influence how I approached the process of making a painting, and eventually
I began to experiment with making "paintings" with a computer.
I wanted to create the illusion of a real painting. I wanted to use a
machine to create something that had an emotional impact. Something that
looked organic and raw like a real painting. Most computer generated art
is very cold and artificial and lacks that human element that makes paint
on canvas so engaging.
I produce all of my digital paintings entirely in the digital realm. Meaning,
I don't scan or photograph my drawings or paintings and incorporate them
into my digital paintings. However, I have recently started to use found
images and diagrams in my work, much in the same way Robert Rauschenberg
would incorporate found images into his work.
I usually begin by developing the "underpainting," which helps
me define the color scheme and atmosphere of the piece. The underpainting
is usually multiple layers of colors and textures. I might pull elements
from old works or I might start from scratch. Once I'm satisfied with
how the underpainting is looking then I will start searching for images
that I might incorporate into the painting or references for drawings
that I might incorporate into the painting. These images range from anatomical
diagrams to geometric patterns to architectural blueprints. I enjoy the
process of hunting for images because the act of searching often reveals
new ideas or possibilities that I hadn't considered before.
The digital medium is extremely forgiving because all of your actions
can be reexamined. Every action can be undone. Nothing is permanent. I
can rewrite history. I can correct mistakes. I am not limited to one final
outcome. Whereas painting is a very linear process. You have to be a certain
about the decisions you make because all decisions are final. You can't
negotiate with paint like you can with pixels. You don't have the luxury
of going back three steps to achieve a different outcome. You have to
make a commitment and stick with it.
When I paint I'm much more concerned with the struggle that occurs between
the forces of logic and instinct. I'm interested in the conflicts that
occur between opposites and how they ultimately feed off one another.
The process of painting is a demonstration of that conflict. In my paintings
you will often see these more controlled or representational elements
battling with more abstract or expressionistic elements such as drips
and splatters and scratches. I often spend several hours painting an image
only to cover it up with drips and splatters. Or I may remove large portions
of the image with electric belt sanders and razor blades. This act of
"destruction" is intended to bring back an element of chance.
To give my work an element of surprise or spontaneity. I'm fascinated
with the process of painstakingly building an image only to destroy it.
My paintings tend to focus more on the process of manipulating paint rather
than making any sort of political or social commentary. As a painter I
am concerned with HOW the painting is made and not WHY it is made. I think
this is due to the time intensive nature of painting. Whereas digital
art can be produced at a much faster pace. So, my digital art tends to
be more political and reactionary in nature.” Dustin Parker, 2006
TRANSMISSION 0021 : 03.30.06
PARKER FEATURED IN F5

Dustin Parker's Appetite For Destruction
Originally published March 30, 2006
by Jedd Beaudoin
jbeaudoin@f5wichita.com
I have pretty grandiose ideas about shows," said Dustin Parker, whose
show "Create and Destroy" opens and closes Friday, March 31
at Tangent Labs. "You should have pyrotechnics, a rotating stage,
dancing girls, video screens. That's what I have in my head when I start
a show. When you actually get into it and budget constraints come into
view, you get down to the basics."
Parker's idea of paring an idea down to its bare essence is at the heart
of "Create and Destroy."
Parker's work can perhaps best be appreciated by anyone who's ever stripped
wallpaper in an old house. One layer gives way to another which gives
way to another, which gives way to paint, which gives way to wallpaper.
At some point, bits and pieces of one layer blend with another or overlap.
The pattern that was once a replacement is now a compliment.
Parker said that the works in the current show mostly began as representational
paintings, worked on them until they were nearly fully realized and would
then take an electric belt sander and scratch away at the surface.
"Basically, I worked on destroying the image, using the portrait
as a background for an abstract painting," he said.
Interested in the idea of duality, Parker said that the paintings touch
on two distinct sides of his artistic impulses.
"Some days I just want to throw paint and be crazy, make a mess.
Other days I want to see something come out of it."
He began using his destruction method a few years ago and some will remember
similar techniques from his "Destruction Method" show some time
back.
"I had a painting that I started to sand down and I liked it because
down in the layers I saw this kind of ghost image. I took the first couple
of layers off and you could still see that. I didn't think of that as
a finished painting or anything you'd want to see in a gallery. But it
stuck in my head," he said.
Eventually, he began working with the method more often.
"I thought, 'Let's go in an destroy something. Let's go in and sand
somebody's eyeball out, or drip paint until someone's face is mostly obscured
by scratches and drips.'"
Parker pointed out that it's not a highly reliable method of working.
"There are paintings where destroying them makes them work. They're
shitty paintings and they become better as the result of scratching them
or whatever. There are others," he said, "where I think at the
end, 'I should have left that alone.'"
He added that one of secrets behind this show — and most of the
work he does in general — is not to lose his spontaneous edge.
"I don't edit really. I like a show to be a representation of what
I've produced in a given amount of time," he said.
The show will feature a film titled Transmission Zero, plus a live music
score from Parker's friend Arran Lowe.
"You get your dancing girls and pyrotechnics beside everything else,"
said Parker. "I think that it turned out pretty well. I had a documentary
film for my last show. I didn't see it as artistic, with this I took the
approach that I was making a painting that moved. It's like you're looking
at one of my digital images, plus live images. It was a fun experiment.
"Especially," he added, "when you start dealing with all
these layers." VISIT WWW.F5WICHITA.COM
TRANSMISSION 0020 : 03.24.06
PLAYING WITH DOLLS
Artwork by Dustin Parker will be featured in the CD booklet of the Dresden
Dolls' sophomore album, "Yes, Virginia." The album will be released
on April 18th via Roadrunner. The artwork for "Yes, Virginia"
was culled from over 600 submissions from fans, painters and designers
from around the globe. Each panel of the booklet includes original images
directly inspired by the songs. Featured is up-and-coming New York painter Barnaby Whitfield,
who plays Warhol to the Doll’s Velvet Underground, creating beautifully
disturbing scenes within the CD booklet reminiscent of post-WWI German
Expressionists Otto Dix and Christian Schad. "I submitted three computer
generated paintings to the contest, and my portrait of "Hiltler in
drag" was selected to accompany a song called Mrs. O. I was really
pushing the deadline on that one. It was the last of the three that I
created and I sent in my entry with a few minutes to spare. I almost didn't
make the deadline." "I first discovered the Dresden Dolls in
2004 when they opened for Sonic Youth at the Uptown Theater in Kansas
City. I was blown away by their performance and I instantly became a fan.
I think it was their cover of "War Pigs" by Black Sabbath that
got me hooked. They had this great punk cabaret sound that I never heard
before. I never thought a band could rock so hard without guitars."-DUST
Click
Here to Purchase the Album
View the E-CARD (preview more album art and listen to songs from the album)Visit> www.dresdendolls.com
| www.myspace.com/dresdendolls
TRANSMISSION 0019 : 03.19.06
FREEZE FRAME
"I'm currently working a the final edit of "TRANSMISSION ZERO."
a 13 minute digital video that will be shown in a continuous loop at The
Create & Destroy exhibit at Tangent Lab on March 31st. I thought I would
share a few stills from the video.
CREATE & DESTROY ARTIST STATEMENT:
I produced a collection of new computer generated paintings that are being
printed by Don Siedhoff at Rock Island Studios. I have always been concerned
about the ephemeral nature of digital prints and I recently started doing
research about Giclee printing and other printing methods that would allow
me to affordably produce archival prints of my work. That journey brought
me to Don Siedhoff and I started working with him to produce Giclee prints
of my computer generated paintings. I was the first person to bring him
a digital file. So I think it was a learning experience for both of us.
I wanted to produce the best possible product and Don has made that a reality.
I’m extremely happy with the end product.
All of the new computer generated prints are 12 inches square. The subjects
range from skulls to Abraham Lincoln to Elvis to George W. Bush in drag.
I'm really fascinated with the concept of producing a "painting"
using a computer. I want to create the illusion of a real painting. I want
drips and splatters and scratches. I want something that has a haphazard
quality. Which is extremely difficult because you have 100% control over
everything. The computer allows you to correct mistakes. Every action can
be undone or reexamined. If I decide to throw a bucket of paint on a canvas
I really can't predict how it will splatter or drip. That is what makes
painting exciting. Because painting is bigger than the artist. The process
is a collaboration between man and his materials. Whereas a computer does
nothing but take orders. So you have to find ways to create the illusion
of a drip. You have to fake spontaneity. That is why most computer generated
art is very cold and artificial. I think the latest batch of works are the
most successful at creating that haphazard effect. They don’t look
computer generated. They look like real paintings.
I am interested in the conflicts that occur between the forces of logic
and instinct (or control and chaos). The process of painting is a demonstration
of that conflict. I encourage the "happy accident," at the risk
that I may destroy the painting in a way that is unflattering. I take risks.
I construct an image only to destroy it. I may obscure the image by covering
it with drips and splatters and cloudy fields of color, or I may remove
large portions of the image with electric belt sanders and razor blades.
Nothing is sacred. This act of "destruction" allows chance to
play a vital role in the creation of the work.
I asked my good friend Arran Lowe to contribute an original soundtrack for
the show which he will perform live during the exhibition. I have absolutely
no clue what he has up his sleeve. I’ve always trusted him to come
up with something that is unique and engaging and appropriate for the project.
The exhibition will also feature the debut of “Transmission Zero”
a 13 minute video that combines live video footage with computer generated
imagery. The video is an extension of my computer generated works. The video
is very abstract. I approached the video like a painting and I want people
to view it like they would a painting. I wasn’t concerned with making
a statement or establishing any sort of narrative element. The imagery is
random. I just wanted to create a kinetic painting that was engaging to
the eye.
-Dustin Parker 2006
STILLS
FROM "TRANSMISSION ZERO" (2006), DIGITAL VIDEO, 13 MINUTES
TRANSMISSION 0018 : 03.01.06
GHOSTS IN THE MACHINE
"My obsession with Abraham Lincoln continues with another digital portrait
of " The Great Emancipator." I love painting Lincoln. I am also
working on a new portrait of Marilyn Monroe. Everyone loves Marilyn. I have
posted two screen captures showing the two WORKS IN PROGRESS. Be sure to
come to the Tangent Lab on March 31st to see the finished product!"
-DUST

"THE LAST HONEST MAN" PORTRAIT OF LINCOLN IN PROGRESS.
PORTRAIT OF MARILYN MONROE IN PROGRESS AND "HAIL TO THE KING"
PORTRAIT OF ELVIS PRESLEY.
TRANSMISSION 0017 : 02.22.06
BLOOD PAINT AND PIXELS
"I thought it might be interesting to give everyone a behind the scenes
preview of the new work I'm creating for CREATE + DESTROY, my upcoming solo
exhibition at Tangent Lab. Check back periodically for further previews
and other updates."
-DUST

"UNTITLED" SELF PORTRAIT
IN PROGRESS
.
"UNTITLED" PORTRAIT OF
ANDY WARHOL IN PROGRESS.

NEW + RECENT DIGITAL PAINTINGS (
PICASSO / BASQUIAT / HITLER / LINCOLN / WARHOL / BUSH
).
THESE DIGITAL PAINTINGS WILL BE AVAILABLE AS GICLEE PRINTS ON 102 LB.
SOMERSET PAPER.
TRANSMISSION 0018 : 02.18.06
CAUTION: POLICE STATE!
Dustin Parker will be one of the featured artists in a one day exhibition
titled CAUTION: POLICE STATE a politically inspired art show at Gallery
DV8 in Austin, Texas. Gallery
Dv8 is an outdoor, guerrilla gallery, curated by Wade Beesley, former owner
of Mojo’s Daily Grind. Dv8 represents raw, innovative artists whose
works often don't get recognized or appreciated by traditional galleries.
Once again, Wade is turning his backyard into an art extravaganza; however,
this time the art is all politically inspired. Artists have been urged to
search their psyches in order to vent their frustrations regarding our current,
tumultuous political situations. There will be painting, sculpture, performance,
live graffiti, live music, and of course libations.
The “Police State” will be a one day affair, SUNDAY, February
26th 1pm-dusk. This show encourages artists and viewers to rethink our political
system. Don’t miss it. Open your eyes!
Some of the twenty artists already scheduled for the event: Michael Schliefke,
Nathan Jensen, Ana Rodriguez, Angel Ortega, Colin McIntyre, Nathan Nordstrom,
Tim Scott, Ian Shultz, Lee Bolton, James Webb, Glenn Bryant Worley, Dustin
Parker, Mike Parsons, Hope Perkins, David Atherton, Bart Berggren, JD Fanning,
Augustina Rodriguez
Live Music by Ikipr and Canartic.Visit
> www.gallerydv8.com
for additional info.
TRANSMISSION 0017 : 01.10.06
ART SHOW NOTICE - KICKING & SCREAMING
Dustin Parker will be one of the featured artists in "Into the 21st
Century, Kicking & Screaming," a digital art exhibition at Lawrence
Photo, Inc., Wichita, KS. The exhibit will feature digital artwork created
by Doug Billings, John Boyd, Clark Britton, Curt Clonts, Wade Hampton,
Rebecca Hoyer, Dustin Parker, Diane Tigue, Gator Russo, and Jonathan Wood.
A public reception will be held on Final Friday, January 27th, 2006 from
7:00 - 10:00 p.m.

TRANSMISSION 0016 : 01.09.06
ART SHOW NOTICE - CREATE + DESTROY: NEW
WORKS BY DUSTIN PARKER
"Create + Destroy," an exhibition of new and recent works by Dustin
Parker, will be hosted at The Tangent Lab on March 31st, 2006. The exhibition
will be a ONE NIGHT ONLY event. Tangent
Lab, 209 E. William, Sutton Place, 2nd floor, Wichita, Kansas
Exhibition: CREATE + DESTROY: New Works By Dustin Parker
Reception Date: Final Friday, March 31st, 2006 || 7:00 p.m. - MIDNIGHT
Original Music by Arran Lowe
Visit > www.TangentLab.com
Check back for details
.
Poster Design by Dustin Parker
TRANSMISSION 0015 : 01.05.06
ART SHOW NOTICE -
PARKER
GETS SAVAGE IN TEXAS
Dustin Parker will be one of the featured artists in "The
Twist Of Modern Day Savages" art exhibition @ the Gallery
Lombardi in Austin, Texas. the show will feature new works by Tabitha
Bean, Curt Clonts, Wade Hampton, Dustin Parker, Gator Russo, Byron Smith,
Greg Turner, and Jenni Urbanczyk.
Gallery Lombardi, 910 West Third Street, Austin, Texas
Exhibition Date: March 3, 2006
Closing Reception Date: March 3, 7:00 - 11:00 p.m.
with LIVE MUSIC by The
Addictions.
Show Curated by Greg Turner || Poster Artwork by Wade Hampton

LOST TRANSMISSIONS | NEWS 2007
LOST
TRANSMISSIONS | NEWS 2006
LOST TRANSMISSIONS
| NEWS 2004 - 2005
RETURN TO MAIN NEWS PAGE
GALLERY
| NEWS | BIOGRAPHY
| LINKS | BLOG
| MYSPACE
| PURCHASE |